Totem

Find the contours of the first man, the absolute savage; scrape off, with the slow wear of these forest walks, the social man's varnish... draw that first man.

[Frederic Gros, A Philosophy of Walking]


Perhaps, collectively, man is subject to an inevitable self-destroying madness, if he does not question and understand the real purpose of his existence.

[William Corlett & John Moore, The Islamic Space]



Much of the real work involved today is a sort of existential exfoliation and relieving your Self of the identity-package that your 'you' has been encrusted with. Whether it's Gros urging us, Thoreauvian-like, to scrape away the varnish on forest walks (the clearest way into the universe is through a forest wilderness) or Corlett & Moore urging us to question and understand, there's a lot to be said for a little kenosis, kinetics, and questioning.

The great metaphysical cleansers and existential exfoliants are auto-mobility (moving-thinking under your own steam), space (as the absence of blockage), silence (as the absence of ‘noise’), and solitude within landscapes (as an opportunity to see your original self).

Modern society is diseased. In the current climate of techno-worship and individualism, society has lost touch with its togetherness, and conviviality. A rampant godlessness, shot through by the media and corporate messaging, has led to the desecration of the human being, his animal brethren, and the land that feeds and shelters both.

‘Our entire society’, writes Jerry Mander in the 1991 edition of In the Absence of the Sacred, ‘has begun to suffer the madness of the astronaut; uprooted, floating in space, encased in our metal worlds, with automated systems neatly at hand, communicating mainly with machines, following machine logic, disconnected from the earth and all organic rality, without contact with a multidimensional, biologically diverse world and with the nuances of world views entirely unlike our own, unable to view ourselves from another persepctive, we are alienated to the nth degree’.

A quarter of a century later, with the explosion of the internet and the flurry of social media, our existential alienation, and what Mander refers to as our ‘intra-species incest’, continues unabated at an alarming pace.

As aliens to our more convivial, more conscientious selves (the western world is now one of ‘science’ not ‘con-science’), we have no vested interest any longer in maintaining our planet. Like a child that has been removed from its mother at birth, people are kept in the dark as to their true parentage by the machinery of progress.  But society has commodified our common Mother. It has commodified space, time, nature, and the human being. Animals too, when they haven’t been moulded into ‘pets’ in order to stabilise one’s lop-sided life, are produced like products in order to appease our ever-burgeoning fragmentation.

For the first time in millions of years we have been largely separate from our animal cousins, and this has had devastating effects on them and on us. I have heard children as old as ten speak of sheep as white dogs; children unable to identify local birds or plants but who can easily identify specific corporate logos and slogans. Children who simply do not know what food is, never mind where it comes from. The list goes on and brings you to tears.

Modern society is based on lies and deception. On utility not unity. Our whole society's foundations are steeped in dishonesty and untruthfulness: duplicitous histories, and crowbarred cultures, inveigling their way into our living. The obesity epidemic in western cultures is due precisely to this sort of deceitfulness. Being ferried around in an intoxicated state, we simply do not where we are anymore.

The totem brings us back down to earth. It sobres us up, ontologically, phenomenologically, existentially. It is rooted like a tree into the soil. It has branches and limbs, eyes and ears. It is human, tree, and animal, all rolled into one. It is silent and still. It confers upon us the power of all animality, the power of being animated and the power of animated being. The totem knows that which we apparently do not: that the human being is only a human being in contact and conviviality with what is not human.

The totem is alive, just as an idea is alive. It re-minds us. Not of anything in particular, but simply to render us mindful once more. Like a mirror of the greatest magnitude, it allows us a glimpse of the great-souled self cleared of the claptrap. And like a poem, it offers us the opportunity for contemplation, and universal disclosure. As far as this is concerned, these words and drawings - healed wounds, scars in the shape of words and images, after the bandages of civilization have been removed - are more of an ‘existential memo’ than anything else, a prophetic record of the essential and the necessary.

In an increasingly analytical and anti-contemplative society where your naked existence is scorned upon and has no value, the totem pole, as a reminder of our unity and universality, as a symbol of a new worldview (which is actually quite ancient) could not be more important, could not be more vital.

So clear it away, I say. Empty the mind. Welcome space into your thinking. Welcome non-thinking as the epitome of contemplation. Maybe then, you will see your original face staring out at you, from between the face of a fox and a bear, on the great tellurian totem pole.


















Up the Clyde in a Banana Boat


The Erskine Bridge is something of a landmark in the valley of the Clyde. Once upon a time, long before its construction, the river used to be teeming with all manner of water craft. Indeed, further along towards the city, there used to be so many ships and boats on the river that it was often difficult to see the water. Naturally, the pollution was atrocious, and sightlines limited. Not so, in the early part of the 21st century. Here, I have collated a few photos of ships passing under the Erskine Bridge over the past few years since I started noticing them from my perch up here in the Kilpatrick Braes. I have seen dredgers, cargo ships, tankers, fishers, leisure boats and tugs, and a flotilla of yachts coming up river for the Commonwealth Games (as well as the odd nugget on a jet ski). Though the traffic is a lot thinner than yesteryear, the ships still come from all over, and it's quite amazing to check up on them and their routes (see Live Ships Map, https://www.marinetraffic.com/en/).



The title to this post refers to an old Glaswegian phrase "D'you think ah came up the Clyde in a banana boat?!" This has various interpretations (mostly with racist overtones), but the most believable in my opinion is that Fyffes used to export bananas from Jamaica to Glasgow, and when the bananas arrived they were green, (ripe bananas leaving the West Indies would have gone off by the time it reached Scotland). The phrase refers then not to the poor galley hands and sailors (who were probably also green after a long crossing), but to the banana itself, the phrase being akin to "Do you think I am as green as I am cabbage looking?" 

 No racism, but maybe banana-ism.


There's something remarkable about seeing ships this size stroll into Glasgow along the Clyde. Like watching birds, watching ships gives us an inkling of a larger more expansive world. Naturally, birds are a whole lot more in keeping with a healthy earth (ships have caused some of the most appalling ecological disasters in history), but that doesn't mean I can't watch them and wonder.

The Kilpatrick Braes (near the top of the Loch Humphrey Path), from where all of these photos were taken, is an excellent perch from where you can inhale the movements of the estuary.





























The Dechmont Kestrel



My camera skills (or lack thereof) notwithstanding, this is a cracking little video showing the epic views from the subtle Dechmont Hill behind Cambuslang, and introducing the Dechmont Kestrel in its first starring role....



The Kilpatrick Brae Buzzards


The Kilpatrick braes are a quiet place to be.  That is, if you go during the week, and manage to get off the Loch Humphrey path (which is more like Sauchiehall Street on the weekend). 

Indeed, when I come up here, maybe twice a week or so, by train and bicycle - locomoting and locating - I feel that I have more in common with the buzzards or ravens up here than I do with my fellow man. My fellow man no longer locomotes, no longer locates, no longer taps in to the spirit of a place because of his existential stabilisers (dog, pram, phone, car) that blind him to it. My fellow man no longer walks, he is carried. He no longer sees, he looks at. He no longer thinks, but is thought.

As such, he stays on the path of convention, and can no longer appreciate the pathless land.

These birds, on the other hand, all they have is the pathless, all they have is seeing...

There are benefits to be had from getting off the beaten path.